Work & Recognition

Selected projects and the results they earned

We are a small studio, so this page is selective rather than exhaustive — a few projects that show our range, and the competition results that tested it.

Recognition

Competition results we stand behind

Our careers have given us opportunities to learn new techniques, and the results below came from putting that learning on the screen:

STN Nationals — 2nd Place, CommercialStudent Television Network is a nationwide competition hosted throughout the country. Our program was invited to compete against 2,200 participants, placing second in the 30-second commercial category.
PBS Competition — 1st Place, DocumentaryThe Smith Hospital is an icon of central Arkansas. With a team of assembled filmmakers we were granted access to the long-closed hospital to preserve its history. The finished documentary won first place in the PBS history competition.
Ozark Media Arts — 1st Place, Short FilmA local Arkansas media competition held each spring in Springdale. Our team of creatives produced a 3-minute short film on the streets and took first place.
Project Notes

Three projects, three different problems to solve

Aerial footage of a residential property

Residential listing campaign

Photo, walkthrough and aerial package for a broker's premium listings. The problem: properties selling faster than media could be scheduled. The fix: standing weekly slots and 48-hour delivery, so no listing ever waits on its photos.

Product filming setup in a local business

Small business brand spots

A series of short promotional videos for local businesses — each shot in half a day, each built to run as paid social. The craft was compression: one location, one afternoon, and a story that still lands in 30 seconds.

Golden hour wedding ceremony filming

Documentary preservation project

Access-based filming inside a closed historic building — the work that later took first place in the PBS documentary competition. Low light, no second chances, and an obligation to get the history right.

Working With Us

What clients keep coming back for

We don't publish a wall of logos, because most of our work is repeat business from agents, businesses and families who book us again. The pattern we hear most often: deadlines held, footage that looks like them, and a shooter who prepares.

  • Fixed schedules and honest delivery dates
  • Pre-production thinking, not just showing up with a camera
  • Files delivered in the formats your platforms actually need
  • One point of contact from enquiry to delivery
The edit suite where every project is finished
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